Pastels on paper. Copy of Botticelli’s ‘Mars & Venus’ 100 x 250 cm (39 x 99 in)
Painting, pastel on paper. A detail from Leonardo da Vinci’s ‘Madonna of the Rocks’ at the National gallery in London. 210 x 100 cm (83 x 39 in)
Painting, oils on canvas. One of Michelangelo’s sybils from the Sistine chapel for the waiting room of a doctor’s office
Painting, oils on canvas. Raffaello Sanzio’s Madonna & child. 100 cm (39 in) in diameter
2 paintings, pastels on paper. Early Rembrandt, Abraham sacrificing his son & ‘Tobit & the Kid’ 210 x 100 cm (83 x 39 in)
2 paintings, pastels on paper. Early Rembrandt, Abraham sacrificing his son & ‘Tobit & the Kid’ 210 x 100 cm (83 x 39 in)
Painting, oils on canvas. Copy of a painting Rembrandt did of his mother. 200 x 100 cm (79 x 39 in)
Painting, pastel on paper. Rembrandt self-portrait. 150 x 90 cm (59 x 35 in)
Painting, pastel on paper. Rembrandt self portrait at 34 150 x 100 (59 x 39 in)
One of two unusually small copies (this & the next) for a member of the Swedish government. It is painted entirely in glazes. Layers of translucent paint, which give it a jewel-like luminosity. A copy of a painting by Sanchez Coello. Though older, he was contemporary to Velsquez; his paintings still sport the ornate ruffs that were later prohibited by the king & replaced with the, typically, more demure collar of Velasquez’s subjects.
Painting, oils on paper. Copy of a self portrait by Van Eyck. Van Eyck is often cited as the inventor of oil paints because of his experiments with ‘stand oil’ a refinement process of linseed oil that made it dry without cracking & thereafter supplanted egg tempera because of its delicate transluscent layers 160 x 100 cm (63 x 39 in)
This one is by Velasquez & displays the collar mentioned in the caption to the previous painting
Painting, oils on canvas. Girl with Pearl Earring by Vermeer. Painted in glazes–many translucent layers applied over months gave the canvas an inner luminosity
Small Rembrandt copy (as St Paul) oils on canvas on board 25 x 20 cm
Tamara de Lempicka: Oil on canvas. Baron Kuffner, Tamara’s second husband. One of 7 commissioned by Saks Fifth Avenue in New York City.
Oil on canvas. One of 7 commissioned by Saks Fifth Avenue in New York City.
Tamara de Lempicka. Andromeda. Oil on canvas. 210 x 100 cm (83 x 39 in)
Oil on canvas. The client wanted this painting of Adam & Eve in a horizontal format instead of the original’s vertical composition, so I cut Tamara’s full standing figures to half & extended the background. 100 x 180 cm (39 x 71 in)
Tamara’s first husband who gave her his aristocratic name but was penniless. Tamara named this painting ‘The Unfinished Man’ & left his right hand unpainted. One of 7 commissioned by Saks Fifth Avenue in New York City.
Oil on canvas. One of 7 commissioned by Saks Fifth Avenue in New York City. 180 x 100 cm (71 x 39 in)
Oil on canvas. One of 7 commissioned by Saks Fifth Avenue in New York City
Girl with gloves 1929 110 x 80 cm
Painting, oils on canvas. Degas, Ballerina. 180 x 120 cm (71 x 48 in) 1 of 6 paintings commissioned by Saks Fifth Avenue in Beverly Hills.
Painting, oils on canvas. Degas, singer. 1 of 6 paintings commissioned by Saks Fifth Avenue in Beverly Hills
Painting, oils on canvas. These are three panels meant to hang next to each other. The first to the left is a copy of one of Van Gogh’s ‘Irises’ while the other two panels are an invented continuation of the composition. Each canvas is: 55 x 90 cm (22 x 36 in)
Painting, oils on canvas. These are three panels meant to hang next to each other. The first to the left is a copy of one of Van Gogh’s ‘Irises’ while the other two panels are an invented continuation of the composition. Each canvas is: 55 x 90 cm (22 x 36 in)
Painting, oils on canvas. These are three panels meant to hang next to each other. The first to the left is a copy of one of Van Gogh’s ‘Irises’ while the other two panels are an invented continuation of the composition. Each canvas is: 55 x 90 cm (22 x 36 in)
Oils on canvas. Van Gogh, to the left the Oslo self portrait
‘Irises’. 1 of 6 paintings commissioned by Saks Fifth Avenue in Beverly Hills
Painting, oils on canvas. Toulouse Lautrec- Dance at the Moulin Rouge. Re-composed slightly for the dimensions the client required. To the right, the same painting re-composed more drastically for a client who wanted a vertical composition. 100 x 160 cm (39 x 63 in)
Painting, oils on canvas. Toulouse Lautrec- Dance at the Moulin Rouge. Re-composed slightly for the dimensions the client required. To the right, the same painting re-composed more drastically for a client who wanted a vertical composition. 100 x 160 cm (39 x 63 in)
Painting, oils on canvas. Botero. 110 x 90 cm (43 x 35 in)
Painting, oils on canvas. Boucher re-composed. 110 x 160 cm (43 x 63 in)
Painting, oils on canvas. Boucher re-composed. 110 x 160 cm (43 x 63 in)
Painting, oils on canvas. Fragonard. 110 x 70 (43 x 27 in)
Two paintings, oils on canvas. 18th century English shipyard. Eeach 80 x 100 cm (31 x 39 in)
Two paintings, oils on canvas. 18th century English shipyard. Eeach 80 x 100 cm (31 x 39 in)
Painting, oils on canvas. A small section from one of Picasso’s paintings from his rose period. 110 x 50 cm (43 x 20 in)
Painting, oils on canvas. Andaluz bodega in the bullfighting arena. 90 x 70 cm (35 x 27 in)
Pastels on paper. Copy of Botticelli’s ‘Mars & Venus’ 100 x 250 cm (39 x 99 in)
Painting, pastel on paper. A detail from Leonardo da Vinci’s ‘Madonna of the Rocks’ at the National gallery in London. 210 x 100 cm (83 x 39 in)
Painting, oils on canvas. One of Michelangelo’s sybils from the Sistine chapel for the waiting room of a doctor’s office
Painting, oils on canvas. Raffaello Sanzio’s Madonna & child. 100 cm (39 in) in diameter
2 paintings, pastels on paper. Early Rembrandt, Abraham sacrificing his son & ‘Tobit & the Kid’ 210 x 100 cm (83 x 39 in)
2 paintings, pastels on paper. Early Rembrandt, Abraham sacrificing his son & ‘Tobit & the Kid’ 210 x 100 cm (83 x 39 in)
Painting, oils on canvas. Copy of a painting Rembrandt did of his mother. 200 x 100 cm (79 x 39 in)
Painting, pastel on paper. Rembrandt self-portrait. 150 x 90 cm (59 x 35 in)
Painting, pastel on paper. Rembrandt self portrait at 34 150 x 100 (59 x 39 in)
One of two unusually small copies (this & the next) for a member of the Swedish government. It is painted entirely in glazes. Layers of translucent paint, which give it a jewel-like luminosity. A copy of a painting by Sanchez Coello. Though older, he was contemporary to Velsquez; his paintings still sport the ornate ruffs that were later prohibited by the king & replaced with the, typically, more demure collar of Velasquez’s subjects.
Painting, oils on paper. Copy of a self portrait by Van Eyck. Van Eyck is often cited as the inventor of oil paints because of his experiments with ‘stand oil’ a refinement process of linseed oil that made it dry without cracking & thereafter supplanted egg tempera because of its delicate transluscent layers 160 x 100 cm (63 x 39 in)
This one is by Velasquez & displays the collar mentioned in the caption to the previous painting
Painting, oils on canvas. Girl with Pearl Earring by Vermeer. Painted in glazes–many translucent layers applied over months gave the canvas an inner luminosity
Small Rembrandt copy (as St Paul) oils on canvas on board 25 x 20 cm
Tamara de Lempicka: Oil on canvas. Baron Kuffner, Tamara’s second husband. One of 7 commissioned by Saks Fifth Avenue in New York City.
Oil on canvas. One of 7 commissioned by Saks Fifth Avenue in New York City.
Tamara de Lempicka. Andromeda. Oil on canvas. 210 x 100 cm (83 x 39 in)
Oil on canvas. The client wanted this painting of Adam & Eve in a horizontal format instead of the original’s vertical composition, so I cut Tamara’s full standing figures to half & extended the background. 100 x 180 cm (39 x 71 in)
Tamara’s first husband who gave her his aristocratic name but was penniless. Tamara named this painting ‘The Unfinished Man’ & left his right hand unpainted. One of 7 commissioned by Saks Fifth Avenue in New York City.
Oil on canvas. One of 7 commissioned by Saks Fifth Avenue in New York City. 180 x 100 cm (71 x 39 in)
Oil on canvas. One of 7 commissioned by Saks Fifth Avenue in New York City
Girl with gloves 1929 110 x 80 cm
Painting, oils on canvas. Degas, Ballerina. 180 x 120 cm (71 x 48 in) 1 of 6 paintings commissioned by Saks Fifth Avenue in Beverly Hills.
Painting, oils on canvas. Degas, singer. 1 of 6 paintings commissioned by Saks Fifth Avenue in Beverly Hills
Painting, oils on canvas. These are three panels meant to hang next to each other. The first to the left is a copy of one of Van Gogh’s ‘Irises’ while the other two panels are an invented continuation of the composition. Each canvas is: 55 x 90 cm (22 x 36 in)
Painting, oils on canvas. These are three panels meant to hang next to each other. The first to the left is a copy of one of Van Gogh’s ‘Irises’ while the other two panels are an invented continuation of the composition. Each canvas is: 55 x 90 cm (22 x 36 in)
Oils on canvas. Van Gogh, to the left the Oslo self portrait
‘Irises’. 1 of 6 paintings commissioned by Saks Fifth Avenue in Beverly Hills
Painting, oils on canvas. Toulouse Lautrec- Dance at the Moulin Rouge. Re-composed slightly for the dimensions the client required. To the right, the same painting re-composed more drastically for a client who wanted a vertical composition. 100 x 160 cm (39 x 63 in)
Painting, oils on canvas. Toulouse Lautrec- Dance at the Moulin Rouge. Re-composed slightly for the dimensions the client required. To the right, the same painting re-composed more drastically for a client who wanted a vertical composition. 100 x 160 cm (39 x 63 in)
Painting, oils on canvas. These are three panels meant to hang next to each other. The first to the left is a copy of one of Van Gogh’s ‘Irises’ while the other two panels are an invented continuation of the composition. Each canvas is: 55 x 90 cm (22 x 36 in)
Painting, oils on canvas. Botero. 110 x 90 cm (43 x 35 in)
Painting, oils on canvas. Boucher re-composed. 110 x 160 cm (43 x 63 in)
Painting, oils on canvas. Boucher re-composed. 110 x 160 cm (43 x 63 in)
Painting, oils on canvas. Fragonard. 110 x 70 (43 x 27 in)
Two paintings, oils on canvas. 18th century English shipyard. Eeach 80 x 100 cm (31 x 39 in)
Two paintings, oils on canvas. 18th century English shipyard. Eeach 80 x 100 cm (31 x 39 in)
Painting, oils on canvas. A small section from one of Picasso’s paintings from his rose period. 110 x 50 cm (43 x 20 in)
Painting, oils on canvas. Andaluz bodega in the bullfighting arena. 90 x 70 cm (35 x 27 in)
Pastels on paper. Copy of Botticelli’s ‘Mars & Venus’ 100 x 250 cm (39 x 99 in)
Painting, pastel on paper. A detail from Leonardo da Vinci’s ‘Madonna of the Rocks’ at the National gallery in London. 210 x 100 cm (83 x 39 in)
Painting, oils on canvas. One of Michelangelo’s sybils from the Sistine chapel for the waiting room of a doctor’s office
Painting, oils on canvas. Raffaello Sanzio’s Madonna & child. 100 cm (39 in) in diameter
2 paintings, pastels on paper. Early Rembrandt, Abraham sacrificing his son & ‘Tobit & the Kid’ 210 x 100 cm (83 x 39 in)
2 paintings, pastels on paper. Early Rembrandt, Abraham sacrificing his son & ‘Tobit & the Kid’ 210 x 100 cm (83 x 39 in)
Painting, oils on canvas. Copy of a painting Rembrandt did of his mother. 200 x 100 cm (79 x 39 in)
Painting, pastel on paper. Rembrandt self-portrait. 150 x 90 cm (59 x 35 in)
Painting, pastel on paper. Rembrandt self portrait at 34 150 x 100 (59 x 39 in)
One of two unusually small copies (this & the next) for a member of the Swedish government. It is painted entirely in glazes. Layers of translucent paint, which give it a jewel-like luminosity. A copy of a painting by Sanchez Coello. Though older, he was contemporary to Velsquez; his paintings still sport the ornate ruffs that were later prohibited by the king & replaced with the, typically, more demure collar of Velasquez’s subjects.
Painting, oils on paper. Copy of a self portrait by Van Eyck. Van Eyck is often cited as the inventor of oil paints because of his experiments with ‘stand oil’ a refinement process of linseed oil that made it dry without cracking & thereafter supplanted egg tempera because of its delicate transluscent layers 160 x 100 cm (63 x 39 in)
This one is by Velasquez & displays the collar mentioned in the caption to the previous painting
Painting, oils on canvas. Girl with Pearl Earring by Vermeer. Painted in glazes–many translucent layers applied over months gave the canvas an inner luminosity
Small Rembrandt copy (as St Paul) oils on canvas on board 25 x 20 cm
Tamara de Lempicka: Oil on canvas. Baron Kuffner, Tamara’s second husband. One of 7 commissioned by Saks Fifth Avenue in New York City.
Oil on canvas. One of 7 commissioned by Saks Fifth Avenue in New York City.
Tamara de Lempicka. Andromeda. Oil on canvas. 210 x 100 cm (83 x 39 in)
Oil on canvas. The client wanted this painting of Adam & Eve in a horizontal format instead of the original’s vertical composition, so I cut Tamara’s full standing figures to half & extended the background. 100 x 180 cm (39 x 71 in)
Tamara’s first husband who gave her his aristocratic name but was penniless. Tamara named this painting ‘The Unfinished Man’ & left his right hand unpainted. One of 7 commissioned by Saks Fifth Avenue in New York City.
Oil on canvas. One of 7 commissioned by Saks Fifth Avenue in New York City. 180 x 100 cm (71 x 39 in)
Oil on canvas. One of 7 commissioned by Saks Fifth Avenue in New York City
Girl with gloves 1929 110 x 80 cm
Painting, oils on canvas. Degas, Ballerina. 180 x 120 cm (71 x 48 in) 1 of 6 paintings commissioned by Saks Fifth Avenue in Beverly Hills.
Painting, oils on canvas. Degas, singer. 1 of 6 paintings commissioned by Saks Fifth Avenue in Beverly Hills
Painting, oils on canvas. These are three panels meant to hang next to each other. The first to the left is a copy of one of Van Gogh’s ‘Irises’ while the other two panels are an invented continuation of the composition. Each canvas is: 55 x 90 cm (22 x 36 in)
Painting, oils on canvas. These are three panels meant to hang next to each other. The first to the left is a copy of one of Van Gogh’s ‘Irises’ while the other two panels are an invented continuation of the composition. Each canvas is: 55 x 90 cm (22 x 36 in)
Oils on canvas. Van Gogh, to the left the Oslo self portrait
‘Irises’. 1 of 6 paintings commissioned by Saks Fifth Avenue in Beverly Hills
Painting, oils on canvas. Toulouse Lautrec- Dance at the Moulin Rouge. Re-composed slightly for the dimensions the client required. To the right, the same painting re-composed more drastically for a client who wanted a vertical composition. 100 x 160 cm (39 x 63 in)
Painting, oils on canvas. Toulouse Lautrec- Dance at the Moulin Rouge. Re-composed slightly for the dimensions the client required. To the right, the same painting re-composed more drastically for a client who wanted a vertical composition. 100 x 160 cm (39 x 63 in)
Painting, oils on canvas. These are three panels meant to hang next to each other. The first to the left is a copy of one of Van Gogh’s ‘Irises’ while the other two panels are an invented continuation of the composition. Each canvas is: 55 x 90 cm (22 x 36 in)
Painting, oils on canvas. Botero. 110 x 90 cm (43 x 35 in)
Painting, oils on canvas. Boucher re-composed. 110 x 160 cm (43 x 63 in)
Painting, oils on canvas. Boucher re-composed. 110 x 160 cm (43 x 63 in)
Painting, oils on canvas. Fragonard. 110 x 70 (43 x 27 in)
Two paintings, oils on canvas. 18th century English shipyard. Eeach 80 x 100 cm (31 x 39 in)
Two paintings, oils on canvas. 18th century English shipyard. Eeach 80 x 100 cm (31 x 39 in)
Painting, oils on canvas. A small section from one of Picasso’s paintings from his rose period. 110 x 50 cm (43 x 20 in)
Painting, oils on canvas. Andaluz bodega in the bullfighting arena. 90 x 70 cm (35 x 27 in)
